On a cold February afternoon in Manchester, queues of concert-goers are braving the elements outside Co-op Live, the UK's largest indoor arena.
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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Tkachuk played in the Americans’ victory over Canada at the Winter Olympics on Sunday, which secured the US men their first gold medal since 1980. In the wake of that win, the White House’s TikTok account published video of Tkachuk saying: “They booed our national anthem, so I had to come out and teach those maple syrup eating fuckers a lesson.”
（四）一年以内曾受过治安管理处罚的。